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2025年10月25日、26日　国際シンポジウム「上演文化に関する「芸術化」の国際比較研究：商品及び労働者としての演者を巡る諸問題」のお知らせ

2025年09月15日

Symposium “International Comparative Studies on the ‘Artification’ of Performance Culture: Issues Surrounding Performers as Commodities and Workers” 

Date: 25. (Sat.) and 26 (Sun.) October 2025 

Location: Nihon University College of Economics 

(3-2 Kanda-Misakicho 1-chome, Chiyoda-ku, Tokyo 101-8360 Japan)

https://www.eco.nihon-u.ac.jp/english/access/

On 25. ＠ Building No.3, Room 3101 , 3104

On 26. ＠ Building No.7, Room 7041, 7043

 

Day 1 (Saturday, 25 October 2025) ＠ Building No.3, Room 3101 , 3104

“Artification of the performing arts”

13:00-13:10 Introduction (Shizuka Yasuda)

13:10-13:50 Keynote speech “Questioning Artification: Trends and Counter Trends” (Roberta Shapiro)

14:00-14:25 Paris Opera’s Artification of Ballet in the 20th Century: Rouché, Lifar, and/or Wagner (Shizuka Yasuda)

14:30-14:55 Modernization and Artification of Japanese Dance: From Geisha Party to Theatre (Daisuke Muto)

15:00-15:25 Artification of Nude Revues: From the Perspective of

International Cultural Exchange (Ayako Kakinuma)

15:30-15:55 Artification of opera by Wagner (Hiroshi Yoshida)

16:10-17:10 Round table

 

Day 2 (Sunday, 26 October 2025) ＠ Building No.7, Room 7041, 7043

“Dancers as workers”

13:00-13:10 Introduction (Shizuka Yasuda)

13:10-13:50  Keynote speech “The Labor of Grace: Recognizing Ballet Dancers as Workers” (Laura Cappelle)

14:00-14:25  The Bureaucracy of the Body: Defining the Dancer as Worker in Napoleon’s 1805 Paris Opéra Regulations (Tamamo Nagai)

14:30-14:55  Organizational structure and the last “Emperor’s Balletmaster” in the Court Theater Ballet of Berlin and Vienna  (Naoko Kogo)

15:00-15:25  Ballet, Dancers, and Ballet Masters in the British Music Hall (Sayaka Yamada)

15:40-16:40 Round table

 

Registration required:

https://docs.google.com/forms/d/1gmnlc8PSf56X0pdryyYdhrCv7I8ro5q5G39XfI1vVSw/edithttps://docs.google.com/forms/d/1gmnlc8PSf56X0pdryyYdhrCv7I8ro5q5G39XfI1vVSw/edit

 

This research is supported by JSPS KAKENHI Grant Number 23K25291. 

(International Comparative Studies on the ‘Artification’ of Performance Culture: Issues Surrounding Performers as Commodities and Workers)

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